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Traditional houses Gilgit-Baltistan

Traditional houses Gilgit Baltistan

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traditional houses gilgit baltistan

Energy-Efficient and Multi-Purpose Traditional Houses Gilgit-Baltistan

The mountainous region of Gilgit Baltistan is incredibly rich in diverse cultural heritage and traditional houses are one of them.  This cultural heritage of the region manifests itself in its traditions, music, handicrafts, architecture, and the famous free style polo of the region. Because of diverse ethnic backgrounds there is cultural diversity among different region but over all the cultural heritage of Gilgit Baltistan is unique, natural and simple. The traditional house Gilgit Baltistan (ha, door, khoun or go’at) is a very important symbol of this cultural heritage. For some one with an untrained eye, the traditional house is just a very basic structure. On the other hand if someone critically analyzes the design keeping in view the climatic conditions, local traditions and limited recourses in past, this simple structure is reflection of thousands years of wisdom.

traditional houses gilgit baltistan

Traditional House of Gojal, Hunza, Nager, Gilgit and Ghizer

The history of traditional houses of Gilgit Baltistan (Khoun, Ha, Go’at, Door) is two thousands old.

According to history, the traditional house was designed around 2000 years back in the era of Legendary Aryan king Jamshid.  In order to protect his people from extreme cold conditions architects of king Jamshid   designed a simple, earthquake proof, multipurpose self-contained and self-sustained house. Even after thousands of years this design is still functional and very useful.  Similar houses are still found in the pamir region and parts of Tajikistan and Badakhshan and other parts of central Asia. No modern architecture design can replace the traditional houses of Gilgit Baltistan to full fill the local needs and traditions.  There are slight differences in the design in different regions but the basic concept and structure is same.

hunza traditional homes

The Walls and outside

The out side is very simple. The walls of old house are built with stone and mud. The walls are very wide and thick as compared to the modern houses. The wide walls provide good insulation both against hot and cold. Usually there is a small courtyard outside the house. A veranda covers the front side of the house.  In old houses there are no windows on the outer wall, instead there is a beautifully designed square skylight called (sagam, som,sum, komal, eyechan)in different regional langauges . This opening acts as a window for light and air, and exhaust for the smoke.  Because the opening lies horizontally and there is layer of warm air below the opening, cold air hardly reaches inside the house. The warm air from inside pushes the cold air up and out. This design is very much according to the rules of physics, as we know warm air is lighter and tends to move upwards. This design is extremely energy efficient.

local guest house gilgit baltistan

In some old traditional houses once you enter the main door there is a small lobby, used for sitting, eating or sleeping in summer. This small lobby is called Dahlanz. From dahlanz a door leads to the main room.

homestay gilgit baltistan

Entrance

The main entrance door has a symbolic importance.  The house itself is the symbol of universe. A door is the entry to the house as well exit from the house. The door separates two distinct areas, inside the door there is safety, security and blessing. Out side the door there is open world, opportunities, dangers and risks. When a new member of the family (a bride or a new baby) enters the door he/she is welcomed with prayers for good luck, good health and blessings. Similarly when a family member goes on a journey or goes out to start something new he /she goes out through the door with the prayers of his parents for his safety and success. In the ancient houses, the traditional lock ( Naghli, Sarikuch, chayeish) was made of a wooden bar, which could lock the door both from inside and out side.

The doors of traditional houses of Gilgit Baltistan are relatively shorter to preserve heat. Woodcarving is found on the doors of the old houses.

room gilgit baltistan

Pillars

The structure of traditional house basically stands on four main wooden pillars plus one to three additional small pillars. These pillars are made of juniper, apricot, walnut or other locally available wood. These pillars are often covered by geometric patterned woodcarvings. The traditional geometric designs on these pillars are inherited over centuries.  Because of its unique wooden frame the house is earthquake resistant. If even the walls were peeled outward during an earth quack the frame would remain standing, protecting the main structure.

kitchen gb

Roof

The roof is made of several groups of wooden beams of different sizes. Each group has their specific sizes and specific names and number. The two longest beams (laid over the two main pillars on each side are called sanjeer in some areas. Three to four thick but short beams ( patari)are laid diagonally on the main long beams. The skylight or the open space in center of the roof is designed with four square layers of small beams laid one above other. The squares are diagonally placed and the size of squares gradually decreases as it rises up towards the final opening. The opening is located exactly above the fireplace. Because of this shape of the roof snow does not stay longer on the rooftop and there is less chances of leakage during rainy season.

Floor Plan of Traditional houses in Gilgit-Baltisan

Every single area inside the main room has a specific name. If you name a specific part of the house, a local will know exactly what are you referring to. There are slight variations in the design in different regions but overall it is more or less similar.

The floor is divided into different parts, There are raised platforms of different heights. Every platform has different purpose and use. The first part immediately after entrance is the (Haqai, yourch, shom ). It is used for keeping shoes and preparing fire wood and dancing during traditional ceremonies like weddings. In most of incient houses, a wood beam, called, sanj separate the working area from the sitting area.

Traditional House Fireplace and Sitting Area in Gilgit Baltistan

The next is the sitting area. In the center there is fire place ( dildang, Daang, sagam ) . Fireplace is used for cooking and keeping the room warm. Sitting area on right side is called band. The sittiing  area is a square area around the fire place. The Males members sit on the right side. Sitting arrangement is in specific order. The guest, elderly or religious leaders people get the priority to sit.  These most respected people sits fist than the young one sit and than the children sit.  Female sit on the left. Similar hierarchy rule is also followed on the female side of the sitting area. Two elevated platforms on right and left (Sheeti, mun, nukh ,raj  thali) were used for relaxing or sleeping during winter. There is narrow platform for with wooden cabinets for pots and pans. Two half height walls or wooden cabinets separates the right and left elevated platform. These walls are called Chardagez or Mandal . The floor is usually made of wood or mud. Floors are covered with thick locally made carpets. Concrete floor does not suite the climatic conditions and local life style. It cannot maintain the warm temperature and can cause joint pain in cold climate.

Storage room (Ulha, Gonj, gonji, Ghanz)

 A smaller store room is usually attached to the main traditional home. The basic structure as more or less same like the main room but it is usually less sophisticated. The main purpose of this is to store grain, fruits and other food items, but during wedding and other ceremonies it was used for sitting and cooking also. This room also has four pillars and the structure of the roof is similar to the main room. There is area for fireplace in the center.

The main room and storage room are the basic requirements of the traditional home Gilgit Baltistan. Additional rooms are added according to the requirement and socioeconomic conditions.

Traditional houses in Baltistan

The old houses in various mountainous regions of Baltistan are designed  according to local requirements and traditions..  There is Tibetan and Kashmiri influence in the architecture of this region. Old houses in mountainous villages of Baltistan are built in two levels. The lower level is for storage or animal pen. The living area is built in the upper level comprises of large kitchen, bed room, living room etc. The numbers of rooms depends on various factors, like socioeconomic factor, number of family members etc. Wood, stone, and mud are used to build these houses. Large wood columns and beams are used to make the house earthquake proof. Kashmiri style wood carving is found in these old traditional houses.

In summary, the design of traditional houses of Gilgit Baltistan is very efficient and multipurpose to fulfill the traditional and climatic requirements of the area. This tradition has been passed on to us over centuries.  Now it is the duty of this generation not to completely abandon this tradition.  These designs can be innovated and updated according to the needs of modern times.

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Rumi, the Moral Psychologist

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Maulana Jalal-ud-Din Mohammad (1207-1273), popularly known as Rumi, was a Muslim theologian-turned-poet. His poetry, published in two genres of masnavi and ghazal is mainly focused on the idea of love and its relation to the intimacy with God. However, the thoughts of Rumi, expressed through thousands of verses and ghazals, go beyond love and touch upon various aspects of human life and the universe. Even a cursory reading of Rumi’s poetry reveals his wide-ranging and thoughtful expressions on nature, universe, world, anger, lust, justice, purity, etc. According to Ahmed Javed, a contemporary literary critic, Rumi is the best author of human experience in the world. In other words, Rumi best describes the meaning of being a human on planet earth. Alan Williams, professor of Iraninan studies and translator of the works of Rumi, has identified the voice of moral reflection or homily as one of the seven voices while defining the narrative structure of Masnavi, a long poem by Rumi published in 06 volumes. Similar vein of advice and observations on moral psychology can be found in over 3,000 ghazals of Divan or Divan-e- Shams, the collection of ghazals by Rumi. Brittanica, an online encyclopedia, defines moral psychology as “the empirical and conceptual study of moral judgement, motivation and development”. This article details the verses of Rumi, from both Masnavi and Divan, which convey the deep observations of the poet regarding moral psychology. The verses are easily discernible for enduring reliability.


Like other poets, Rumi deploys the tropes of allegory, metaphor, simile, folklore, historical events, personalities, Quranic verses, Hadith etc to make his point. I will present a selection of verses from Rumi’s Masnavi and Divan highlighting the moral psychology therein.


این جہان کوہ است و فعل ما ندا
سوئ ما آید نداہا راصدا
(M I:215)
This world is the mountain, and our action the shout: the echo of the shouts comes (back) to us.

Rumi has explained the recompense for deeds and misdeeds by comparing the whole world to a mountain. Just like the mountain returns the schists by echoing it, the good and bad deeds are accordingly rewarded in this world.
Rumi’s places a lot of emphasis on the importance of thoughts in the life of a human being. He considers that a human being is nothing but a thought itself.


ای برادر تو همان اندیشه ای
ما بقی خود استخوان و ریشه ای
گر گ‌ُل است اندیشه ای تو گُلشنی
ور بوُد خاری تو هیمه گُلخنی
Brother! Your worth is in your thoughts alone; you are blood and flesh apart from that
You are rose, if all your thoughts are selfless
If bitter, you are a thorn that is judged worthless
Brother, your worth is in your thoughts alone
M II, 277-278

The formidable effect of a person’s thoughts are highlighted in the above verses. The precursor of every action is a thought. In a sense Rumi is ahead of René Descartes (1596–1650), French philosopher, by three hundred years who affirmed cogito ergo sum ( think therefore I am!). In other words, the ability to think and perceive constituted the most important element of human existence. At many places in both Masnavi and Divan Rumi elucidates how negative thoughts disempower and depress a human being and how he can rise above those thought processes. In the opening verse of Ghazal 2500 of Divan, Rumi diagnosed that the doom and gloom is always characterised by mean thoughts of a man:


چه افسردی در آن گوشه چرا تو هم نمی‌گردی
مگر تو فکر منحوسی که جز بر غم نمی‌گرد
Why are you depressed and cornered instead of moving ahead?
But then you are an epitome of mean thought and you are obsessed over grief

In numerous verses, Rumi emphasises the layered and unfathomable inner world of a human being, making it all the more important to avoid judging someone through appearances alone. An example:


َمرد را صد سال عم و خال او
یک سر ُمویی نہ ِبیند حال اُو
A man’s paternal and maternal uncles (may see him) for a hundred years, and of his (inward) state not see (so much as) the tip of a hair (M:3, 4249)

Rumi underlines the complexity of human psyche in that it is characterised by an inner world which is rarely apparent. In other words, he implies that our judgements based on the outward appearances or behaviour of a person may well be wrong considering that appearances never represent the human being on the whole.

Regarding worldly gains and glory, Rumi maintains that on the one hand they uplift and increase a person’s standing among the people but conversely they become the reason of the downfall too as succinctly expressed in the verse below:


دشمنِ طاؤس آمد پر اُو
ای بسی شہ را بکشتہ فر اُو
The peacock’s plumage is its enemy: O many the king who hath been slain by his magnificence!
(M1:208)

Rumi is of the view that by reciprocating a bad deed, one becomes equal to the perpetrator of the act. He, therefore, exhorts restraint or better still good behaviour in response to treatment.


گر فراق بندہ از بد بندھگی است
چون تو با بد بندگی پس فرق چیست

Have I deserved my fate for some offence; If you hurt sinners what’s the difference?(M:1,1564)

It can be discerned from the above selection that besides numerous themes in his collection of verses (in Masnavi and Divan) Rumi conveys a message of morality in unmatched eloquence and clarity. Perhaps it is beauty and depth and a sense of wonder in these verses that remain relevant to date and keeps guiding anyone who immerses in the ocean of his wisdom.

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Exploring Baltit Fort: A Jewel of Hunza Valley

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Baltit Fort

Nestled in the heart of Pakistan’s breathtaking Hunza Valley, Baltit Fort is a testament to the region’s rich history and cultural heritage. This stunning fort, with its majestic wooden architecture and panoramic views, offers visitors a unique glimpse into the past while providing a gateway to the natural beauty of the surrounding landscape.

A Glimpse into History

Baltit Fort dates back over 700 years, originally built as a defensive structure to protect the local population. It was the residence of the ruling Mirs of Hunza until the mid-20th century. The fort’s design showcases a blend of Tibetan and Central Asian influences, reflecting the diverse cultural tapestry of the region. In 1993, it underwent extensive restoration, making it a significant site for history enthusiasts and casual visitors.

Architectural Marvel

As you approach the fort, you’ll be captivated by its distinctive architecture. The intricate wooden balconies, colorful frescoes, and robust stone walls create a striking visual appeal. The fort is built on a hillside, which adds to its charm and offers stunning views of the surrounding peaks, valleys, and the picturesque Hunza River.

A Journey Through Time

Once inside, you can explore various rooms and halls that were once occupied by the ruling family. The museum within the fort showcases artifacts, traditional clothing, and tools used by the locals, providing a deeper understanding of the region’s heritage. Each room tells a story, making your visit a journey through time.

Breathtaking Views

One of the highlights of visiting Baltit Fort is the breathtaking panoramic views it offers. The fort overlooks the vibrant landscapes of Hunza Valley, with terraced fields, orchards, and the majestic Rakaposhi and Ultar Sar mountains in the background. Be sure to bring your camera; the vistas are simply unforgettable.

Cultural Significance

Baltit Fort is not just a historical site; it is a cultural hub for the community. Throughout the year, various cultural events and festivals are held here, showcasing local music, dance, and art. Engaging with the local people and participating in these events can enrich your experience and provide insight into the traditions of the Hunza Valley.

Tips for Visiting

  • Best Time to Visit: The ideal time to explore Baltit Fort is from April to October, when the weather is pleasant, and the landscape is lush and vibrant.
  • Getting There: The fort is easily accessible from Karimabad, the main town in Hunza. You can either hike up the hill or take a short drive.
  • Guided Tours: Consider hiring a local guide who can provide in-depth knowledge about the fort’s history and significance.

Conclusion

Baltit Fort is more than just an ancient structure; it is a symbol of the enduring spirit of the Hunza Valley. Its historical significance, architectural beauty, and stunning natural surroundings make it a must-visit destination for travelers exploring Pakistan. Whether you’re a history buff, a photography enthusiast, or simply seeking to connect with nature, a visit to Baltit Fort will leave you with lasting memories and a deeper appreciation for this enchanting region. So pack your bags and embark on a journey to this extraordinary fort—you won’t be disappointed!

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Altit Fort Hunza: A Must-Visit Destination in Pakistan

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Altit Fort Hunza is a hidden gem in the heart of the Hunza Valley, Pakistan. This ancient fortress, dating back to the 11th century, offers a captivating blend of history, architecture, and natural beauty.

This is an ancient fort in the Altit town in the Hunza valley in Gilgit BaltistanPakistan. It was originally home to the hereditary rulers of the Hunza state who carried the title of ‘Mir‘, although they moved to the somewhat younger Baltit fort nearby three centuries later. The Fort and in particular the Shikari tower is around 1100 years old, which makes it the oldest monument in the Gilgit–Baltistan. The fort has received the UNESCO Asia Pacific Heritage Award for Cultural Heritage Conservation in 2011.

Why visit Altit Fort Hunza?

  • Historical Significance: As one of the oldest surviving monuments in the Hunza Valley, Altit Fort provides a glimpse into the region’s rich past.
  • Architectural Marvel: The fort’s intricate woodwork, carved balconies, and beautiful murals are a testament to the craftsmanship of its builders.
  • Panoramic Views: Perched on a hilltop, Altit Fort offers breathtaking vistas of the Hunza Valley and surrounding mountains.
  • Cultural Experience: The fort serves as a museum, showcasing artifacts and traditions of the Hunza people.
  • UNESCO World Heritage Site: Its recognition as a UNESCO World Heritage Site highlights its cultural and historical importance.

Tips for Visiting:

Best Time to Visit: Spring (March-May) and autumn (September-November) offer the most pleasant weather for visiting.

How to Get There: You can reach Altit Fort by trekking from Karimabad or hiring a taxi.

Entrance Fee: There is a small entrance fee to enter the fort.

Things to Do: Explore the fort’s chambers, visit the museum, and enjoy the panoramic views.

Don’t Forget: Bring a camera to capture the stunning scenery and architecture.

Here are some additional photos:

Altit Fort

This fort is a must-visit destination for anyone traveling to Pakistan. Its historical significance, architectural beauty, and cultural richness make it a truly unforgettable experience.

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