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An absolution of Hareep in the North
Ustad Jan Ali’s mellifluous Journey

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In 1934, was born now 88 years old legend Ustaad Jan Ali. He was brought up in Sharot, Gilgit.Ustaad Jan Ali declares Malang of sherqila aka ‘Junglee Peer’ as his role model. Following the lead of this vocal trailblazer, the then young songwriter started winning hearts since then! As a youth during the mid-1900’s in Gilgit, Ustaad Jan Ali’s passion for songwriting was kindled by the mutinous sound of his Guru Malang.    

Let’s face it – Ustaad Jan Ali has cultivated a concise bio that accentuates his accomplishments, to go along with his vintage-inspired imagery. His convalescence music infuses strong vocals and resonant harmonies into contemporary reggae and traditional rhythms. It wouldn’t be inappropriate to give a buzz about his career as a primary continuation of peace building. He has, unquestionably, been the only folk bard from Gilgit to have raised social situations via his popular odes even when it wasn’t a thing.

Baba-e-Hareep Ustaad Jan Ali has developed a troubadour memoir for 7 decades, that’s a considerable example of incorporating all of the significant elements of being a bohemian virtuoso.  From the description of his innate style to his accomplishments, and a mention of the Broadside Ballads, this very writing wraps all of the bases.

Speaking to the team The Karakoram, Ustaad Jan Ali, the fiercely rooted in Hareep, shared some of the little-known facts about his life excursion. Here is how it starts:

Ustaad Jan Ali wrote his first song at the age of 12. He Joined Northern Areas Scouts like many other youths of the town at the age of 14 in 1962. By the time of his retirement, he had already jotted down plenty of songs addressing social issues and domestic problems in his signature witty way and reached the peak of his musical career.

About his childhood, he quoted “Right after two years of my birth I lost my father, my adolescence was no different than any common kid in Sharot, my ancestral place. Got schooled, and graduated from middle school, so I know reading and writing.

When team The Karakoram asked him about any songs/poems he could recall he said “I don’t remember the number, there has to be as many as likely since I haven’t put together a record of my compositions, regardless, I can tell that I do think of each one of them for certain.


His success speaks for himself, many like us have grown old listening to Ustaad Jan Ali. He has invariably succeeded to inspire the youth, and certainly discerns the enunciated culture of the locality like many other indigenous artists. About the lasses of Gilgit he asserted that he would recommend them to never give up on their passion. He advised that fresh writers should uncover the connotation and motive of their writing in order to cherish the profession.

What makes him distinctive is his way of articulating modern sensibilities and ordeals in time-honored genres of Shina sonnet!

Despite being marginalized by the regional taboos, the practitioners of the arts in Gilgit have kept enchorial carol, unwritten tales, maestro, and proficiency extant for centuries now.

Ustaad Jan Ali would usually comment on the political crisis in Gilgit explicitly stated.

He even intoned a few verses for ‘The Karakoram’ from one of his distinguished compositions that goes like this:

Shong thay mour tha zamana hoshiyar bilin,

Gilgitaich gileeto karay ikhtiyar bilin?

Mae sargann gileet thae khachi Haal bilin,

Khash dareeno nomech intiqal bilin.

Translation:

Watch out for mumbling; this era is prying on you

The people of Gilgit never had the leverage, to decide their fate.

Oh, My beloved Sargan (old name of Gilgit) Gilgit, You have become Pitiful

The entire land is being allotted to nonnatives.


Apart from poems about his political stance, he had inscribed about the love of his life too.

Talking about this lesser examined content of his life, he narrated “No one can be a credible poet unless he has flunked in love”
He fell in love scandalously with a married woman, at that time he was wedded too. And to the awe of all, none in their families came off to have a problem about it till the date.
He dares to accept and own his love in front of the world. They say that when an artist is bold, strong, and unflinching in his message and voice, he becomes a Legend.
He cherishes his cohort artists and asserts his profound admiration for Professor Amin Zia, Behram, Jamshed Dukhi, and Abdul Khalid Taj.

He is a fable who has altered a genre forever, revamped the shape of music, and established a new outlet for expression.

Honoring his extensive services and attainments, the Government of Pakistan presented him with well-deserved recognition; one of the Highly ranked rewards in Pakistan the presidential Award, the Pride of Performance officially known as Presidential Pride in February 2022!

Whether it is a political dogma, interpersonal considerations, or a comprehensive view of society, His music made him who he is!!

He takes a strong bearing against aggressive religious indoctrination and the installation of fear. Furthermore, bringing up the complication of separating right from wrong:

Thae masjid ga yah

Thae Iamam ga yah

Jannat as horanee mai Ghulam ga yah

Fasad gir alim to maey imam ga yah

Fasad ot tak tharain o Islam ga yah

Translation:

Neither do I want your mosque, nor do I strive for your Imam (who leads prayers in a mosque)

I don’t crave for the beautiful woman of the heaven promised,

I repudiate him as my Imam if he’s hostile.

Also, I reject the Islam which stir up conflict.

On imploring about some overtures for the government he told

He’d like to be a part of some Heritage Music instructing foundations,

Yet, he said we require academies which would be prepared to lodge youth who are eager in learning and in-turn treasuring our lineage. The explanation he referred to for stressing a setup with accommodation is that since most of the hopefuls belong to far flung neighborhoods of the region and are impoverished, additionally they’re treated as frivolous for embracing the pursuits, nevertheless they’re enthusiastic enough to adopt it as a career and we should commit to our best to facilitate them.

After conversing with the living parable, himself, what ‘The Karakoram’ inferred is…

He Who Sings, Prays Twice…

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Arts, Culture & Heritage

Exploring Baltit Fort: A Jewel of Hunza Valley

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Baltit Fort

Nestled in the heart of Pakistan’s breathtaking Hunza Valley, Baltit Fort is a testament to the region’s rich history and cultural heritage. This stunning fort, with its majestic wooden architecture and panoramic views, offers visitors a unique glimpse into the past while providing a gateway to the natural beauty of the surrounding landscape.

A Glimpse into History

Baltit Fort dates back over 700 years, originally built as a defensive structure to protect the local population. It was the residence of the ruling Mirs of Hunza until the mid-20th century. The fort’s design showcases a blend of Tibetan and Central Asian influences, reflecting the diverse cultural tapestry of the region. In 1993, it underwent extensive restoration, making it a significant site for history enthusiasts and casual visitors.

Architectural Marvel

As you approach the fort, you’ll be captivated by its distinctive architecture. The intricate wooden balconies, colorful frescoes, and robust stone walls create a striking visual appeal. The fort is built on a hillside, which adds to its charm and offers stunning views of the surrounding peaks, valleys, and the picturesque Hunza River.

A Journey Through Time

Once inside, you can explore various rooms and halls that were once occupied by the ruling family. The museum within the fort showcases artifacts, traditional clothing, and tools used by the locals, providing a deeper understanding of the region’s heritage. Each room tells a story, making your visit a journey through time.

Breathtaking Views

One of the highlights of visiting Baltit Fort is the breathtaking panoramic views it offers. The fort overlooks the vibrant landscapes of Hunza Valley, with terraced fields, orchards, and the majestic Rakaposhi and Ultar Sar mountains in the background. Be sure to bring your camera; the vistas are simply unforgettable.

Cultural Significance

Baltit Fort is not just a historical site; it is a cultural hub for the community. Throughout the year, various cultural events and festivals are held here, showcasing local music, dance, and art. Engaging with the local people and participating in these events can enrich your experience and provide insight into the traditions of the Hunza Valley.

Tips for Visiting

  • Best Time to Visit: The ideal time to explore Baltit Fort is from April to October, when the weather is pleasant, and the landscape is lush and vibrant.
  • Getting There: The fort is easily accessible from Karimabad, the main town in Hunza. You can either hike up the hill or take a short drive.
  • Guided Tours: Consider hiring a local guide who can provide in-depth knowledge about the fort’s history and significance.

Conclusion

Baltit Fort is more than just an ancient structure; it is a symbol of the enduring spirit of the Hunza Valley. Its historical significance, architectural beauty, and stunning natural surroundings make it a must-visit destination for travelers exploring Pakistan. Whether you’re a history buff, a photography enthusiast, or simply seeking to connect with nature, a visit to Baltit Fort will leave you with lasting memories and a deeper appreciation for this enchanting region. So pack your bags and embark on a journey to this extraordinary fort—you won’t be disappointed!

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Epic of King Kesar

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Like other regions of Tibet & Magnolia, the Epic of Kesar-the son of god has been equally popular in Baltistan-the Little Tibet, and Gilgit and Hunza (Brushal) since its creation. For centuries and millenniums, this grand epic was not written but transmitted orally from one to the other generation like a holy gospel.

The Epic of King Kesar possessed a great importance in the societies of Baltistan from the very beginning to late 19th century AD, the time when a great change started emerging in the region by introduction of Islamic and modern Persian and Urdu Literature. In the past, this epic was the prime Literature of all Tibetan regions including Baltistan and in Brushal i.e. presents Gilgit & Diamar Divisions. as and had a very important role in forming the local culture, traditions, games and sports, politics and the social structure and it remained the greatest source of entertainment as well.

I had the opportunity to record the epic in 1980 when I accompanied with Dr.Renate Sohnen (Tubingen University Germany) who visited Baltistan collect and record some legends and folk songs of Baltistan. We recorded the Kesar epic from late Abdur Rehman Mistripa in Stak village of Baltistan who was the last master epic reciter. Dr Sohnen made two copies of the epic. We both had one copy each for our literary use. 

I had been going through this epic for several years and I had the opportunity to read some books on the mythology of ancient Greece, Egypt, India and history of Persia as well and some other books. Study of these books increased my interest and knowledge in epics and legends and acquainted me with the high value of this epic as well.

In the 1st International Symposium on King Kesar (Chinese Gesar) Epic in Chengdu China-1988, I presented my paper “A Survey of the Legendary Kesar in Baltistan Area” as well as sang a song from the epic showing  the Kesar singing tradition in Baltistan, both were approbated by many scholars  from outside as well as inside the China . 

It is strange to note that the Epic of King Kesar (Baltistan version) contains many subjects, events and characters similar to Greek and Egyptian Mythology as well as ancient Persian history. In this regard, this epic covers many characters, events of Golden and Silver Ages of Greek Mythology, the early time of the Pharos of Egypt and the beginning of the Persian Empire by Cyrus the Great. For example   Egyptian gods and deities Khnum, Horus and Anubis are very similar to Phasangkha Raskes (father of Kesar), Khre-bu Khraqthung, Wamoe-bu Joli (uncles of Kesar) etc.; AND the Symplegades (clashing mountain) and Braq-sgo Jiring-mo in Nar village of Skardu, and Golden fleece of ‘Jasson and the Argonauts’ and quest for the golden fleece of Brong Xampa in Kesar Epic look very same.   Moreover, Valhalla of Northern (Scandinavian) Mythology and Yashirat Katsa   look very similar. We find two abodes of Kesar in the epic. First Yashirat Katsa a spacious cave or rock-cut house, during his youth and later his castle Shel-kar Ldem-khar during his lordship. Shel-kar Ldem-khar means a hanging castle of white crystals, which clearly gives the idea of a dwelling place in the high crystal mountains. It is also analogous to the rock-dwellings of the Samoud people, whose time period has been reckoned as 2200/2000 BC. Moreover, a tale in this epic i.e. the abduction of the goddess Lha-mo Brung-mo, the wife of Kesar by the Turkish king Plaghal-lde and her recovery by Kesar look very similar to the abduction of Sita the pious wife of Ram Chanderji of Indian Saga “Ramayan” by Rawan of (Sri) Lanka and recovery of her by Ram Chanderji. But here, Kesar stands much higher than Ram Chanderji, as he reached the Turkish capital, plundered Turkish army and brought back his wife single handedly overcoming all magic-powers, human and monstrous obstructions and other hazards. It is generally believed that the story of Ramayana came in to being during pre-historic time of India. Keeping in consideration the above similarities of characters, events and social lives, it can be convincingly said that the epic of Kesar was composed or created in between 2000 BC; and 1500 years BC.

Similarities of matters, events and characters in this epic with the mythology of Greece and Egypt give us a clear indication that during the prehistoric time or precisely in the 1st and 2nd millennium BC; there was a strong relationship between the east and the west, and they used to influence each other through trade and tourism through the Silk-routes. It is very interesting to read that an outstanding research scholar of Kashmir Professor Fida Muhammad Husain and Suzanne Olson from New York who are particularly involved in researching the ancient history of  the sub-continent and its northern bordering places like, Ladakh and Kashmir, in their books. Prof. F. Hansen in “The Fifth Gospel” writes (page -8) “Contacts between East & West: From time immemorial there have existed contacts between the East and the West. Besides the sea routes, there were land routes for commercial as well as political purposes. It is a historical fact that there have been continuous migrations from West to East, during ancient and medieval period of our history, in search of better natural resources of food, water and wood. We have scanty references about actual routs used by the nomad tribes during their migration. However, it is clear that there existed links between the Middle East countries with India, Afghanistan, Central Asia and Tibet. (Page-9) It may be pointed out that since ancient times, there existed an easy highway from Arabia to Persia, then to Afghanistan and North India to Kashmir to Tibet and the Pamir’s”. (Page-199)  “The Silk Route:  During the ancient world, the countries in the south west Asia, formed one compact unit. During the 6th century BC; Iran, Afghanistan, Pakistan and some regions of the northern India formed part of the Achaemenian dominion of Cyrus and Darius. The people living in this vast tract of land, had close links by way of trade, commerce and culture.”.Prof.Hasnain further writes “from ancient times, the valley of Kashmir had established commercial relations with Afghanistan, Iran, Central Asian countries. Its capital lay on the Silk Route, which connected East and West. Many centuries before the advent of Jesus Christ, the armies of the Greeks, penetrated in to North India and the Indus basin through land routes of the past”. (200) “Herodotus knew the people of Kaspira or Kashmir”. “During the reign of Cyrus, the Great, the whole region from Thebes to Taxila in the Punjab came under the domination of the Persians. With the extension of the Persian empire by Darius, right up to the North-western regions of India, the valley of Kashmir including Hunza, Nagar and Chiral came under direct control of the Persians”. “It may be pointed out that the Mediterranean people started moving and spreading towards East, North and the West, in the beginning of Neolithic age. One branch migrated towards North-west of Indian sub-continent. More-over Professor Hansen in his another marvelous research work (book) “Roza-Bal” has given the detail that how the Christ was narrowly survived from the crucifixion and after healing from his wounds flee from Jerusalem to the east out of Roman Empire domination with his holy mother and followers and finally arrived in Kashmir, Srinagar where he married with a Kashmiri lady “Marjan” spent some years, and finally took his last breath and was buried in a place which is well known by “Roza Bal” –the tomb of an unknown (or forgotten prophet).These quotations from The Fifth Gospel  and Roza Bal manifest the  human relationship between the West and the East, including the area in the North-west of Indian sub-continent which include Kashmir, Ladakh, Baltistan and the valleys of Hunza, Nagar and  Chitral in the antiquity. It is also  historical fact that the first Persian Emperor Cyrus –the Great had conquered the area in the north of Persia and crossed  Bolor range and conquered the areas on the right bank of River Indus and included in his empire, which certainly put some historical and cultural influence of the west over this lofty mountain valleys.Thus the migrants from the west i.e. Egypt, Greek controlled area of Palestine and the Arabs brought their myths and stories with them which were incorporated in the local fables and myths of the mountainous areas of Hindu Kush and Himalaya and a new epic was evolved under the name of Kesar.

During the study of this Epic, it was conceived that though Kesar  had a very complex nature and habits , he used all type of sorcery, tricks and seduction to overcome his opponents but his fashion of activities and adventures cannot be measured on the scale of good or evil of our time. If we l look into the purpose of sending him to this world-the world of human being, his adventures against the oppressors, the devils and monsters, who were the symbols of evil, Kesar’s deliverance of safety to the common human beings and making the world a peaceful realm, give us a clear clue that he might be one of the savior and an apostle of God in his own time, as the Holy Quran says “And certainly, we raised in every nation an apostle. – (The Bee; verse No.36)” However, the readers and the scholars may give their best judgment regarding the personality, life and mission of Kesar.  

The name Kesar (Chinese pronounce it Gesar) looks itself, a western oriented name. And as I believe, it is a transliteration of Caesar of Roman   or Kisra of Persian history, like Qaiser is the Arabic version of these titles. In Tibetan Dictionaries (like Jaschke) Kesar has been explained in two different ways i.e. (a) It is actually the corrupt form of sKey-sar which means a ‘re-incarnated” or new-born (re-born) one and (b) Name of a wild flower grown in the Tibetan mountains. In an Urdu-English Dictionary, Kesar has been termed as Saffron and in a dialect as a Lion (Pl. see Kitabistan 20thCentury STANDARD Dictionary, Lahore). However, it is very difficult to find out the correct etymology or origin of this name ‘Kesar” at the moment.

The manifestation of this Epic-which is termed as the Kesar -Baltistan version and Hunza version also, is that, it is absolutely a non-religious epic.   It has neither any tradition of Islam nor any thing of Buddhism. However, it has many traditions of Shamanism. All the other versions of this Epic found in other Tibetan areas, China, Magnolia and India have been mashed and blended with Lamaism to make it a Buddhist Epic, thus mutilating its originality and historical and social values.  

I believe that it is a great epic and is like a treasure in the bottom of sea and has no value unless this treasure is brought to surface and presented before its admirers. I bring this epic before the world readers and started translating it in English so that more and more readers could read it. I finished it incurring several years. In August 2017, two gentlemen from North Korea Mr.Byun, JiTae of Haroojai Club with another member, who were in search of  an English version of Kesar Epic visited me and after a brief discussion, we made an agreement and they paid me 2000 US$ for my “permission” to translate it in to Korean language and produce as book for the members of Haroojai Club Seoul, Korea. This deal manifest that how much this great epic “Kesar-the son of god” (Baltistan version) possess a dynamic value in to the literary societies of the world

 In 2020, the University of Baltistan, Skardu acquired my permission and published it under the title of “Kesar-the son of god” under their program  of “Preservation  & Promotion of Balti Folk Literature”,

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A Solo Female Guide on Visiting Hunza Valley

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Rahma Khan

Off the radar from the World Travel Guidebooks, Pakistan is still fighting its own battles to revive the tourism industry in the country. Home to some of the highest mountain peaks in the world, a thriving cultural and second to none hospitality, Pakistan has everything to offer to the travellers. However, one baby step at a time, the country has reached a certain small level of success to boost up local as well as international tourism in the last couple of years.

 

I am Pakistani by nationality but I have barely spent any time of my life in the country. Earlier this year, I packed my bags to venture out on a solo adventure to the picturesque fairytale-like Hunza Valley in Northern Pakistan. I was aware of the fact that traveling solo in Pakistan is not very straightforward just like anywhere else in the world. The only advantage I had on my hands was a little bit more familiarity with the local language as compared to other foreign tourists.

Hunza Valley in Pakistan is situated in the independently administrative state of Gilgit Baltistan. I started off my journey from Islamabad Main Bus Terminal towards Gilgit Baltistan, which was a long 19 hours mostly off-road drive towards the town of Chillas. The small town of Chillas lays a few hours’ drive ahead of Hunza valley. It sits in the lap of the Karakorum, Hindukush and Himalayan giants. I visited the ‘Junction Point’, a unique place on earth where three mountain ranges meet and two rivers, River Indus and River Gilgit merge together.

 

The next morning, I continued my journey towards Hunza with a private driver with a car. There is also an option to use the NATCO bus to reach all the way till Hunza, but it is rather a longer alternative than traveling in a car. The mountains in Gilgit Baltistan are dry and barren, however, as I approached towards Hunza, the entire landscape changed to giant snow-capped peaks with River Gilgit flow at their foothills. I made a pit stop at Mt. Nanga Parbat viewpoint, the 8th highest mountain peak in the world.

Just a few miles away from Hunza comes the Mt. Rakaposhi.This is a good place to stop over for lunch with a great view of Mt. Rakaposhi right in front. Also, luckily I happened to visit the Hunza Valley during the cherry blossom season, so things turned out for me more fairytale-like. And yes, you can see some really beautiful cherry blossom in Pakistan without any tourists, unlike everywhere else in the world!

Entering upon Hunza, my first stop was at Altit Fort, a 6th-century fort, which was a winter house for the ruling king. After taking a very informative and well-organized guided tour of the fort, I sipped a local apricot drink with views that will blow off anyone away! Also, when you’re at Altit Fort do not forget to try ‘Chamoos’ which is an apricot juice made with locally grown apricots of Hunza.

The final place to check off the list before I call it a day was to visit Eagles Nest, a mountain top viewpoint best known for some spectacular sunrise and sunset views over the Karakorum Mountains. And definitely, the views didn’t disappoint at all!

Next day, I hopped on again on the road for a three hours’ drive towards the very end of Pakistan, the Khunjerab Pass (Pakistan-China border), which also happens to be the highest land border crossing in the world. It is a true magnificence of engineering expertise by Chinese and Pakistanis to build Khunjerab Pass at such a high altitude and challenging weather conditions. To reach Khunjerab Pass, you’ll pass through the Khunjerab National Park, the third-largest national park in Pakistan

The final two stops of my Hunza trip comprised of a boat ride in Attabad Lake, a lake which was formed by glacier melting and flooding in 2010. The turquoise water of Attabad Lake reminded me of the beautiful shade of blue I saw in the Maldives; however, the lake drowned more than thirty small villages, which makes it a tragic beauty.

No trip to Hunza Valley is complete without visiting the Hussaini Bridge, termed as the scariest suspension bridge crossing in the world. However, the view it offers makes it completely worth crossing. I managed to reach halfway across the bridge, but extremely cold winds and slight fear of height didn’t make me proceed any further. Nonetheless, the view of the Passu Cathedral or famously known as the Passu Cones of Hunza made my effort absolutely worth every single step on that bridge.

Traveling as a solo female in Pakistan can be challenging at times due to lack of proper tourism infrastructure, but it can never be unsafe. North Pakistan, particularly, Hunza Valley is the booming tourist hotspot in the country with extremely helpful and hospitable locals who will welcome you with open arms. Pakistan is a land of natural beauty and wonders, so add it in your bucket list now to experience the most of this unexplored, untouched gem of Asia.

 

Rahma Khan is a travel blogger, and freelance independent journalist from Karachi based in Canada. Working as an engineer during the day and a writer by night, Rahma loves to solo travel whenever she gets time in between. She share her travel tales on her travel blog ‘The Sane Adventurer’ and her work has been published in many international travel publications and magazines.

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