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Digging Gilgit-Baltistan’s Buddhist Past

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The rise of Buddhism during the reign of emperor Ashoka (304-232 BC) in India had seen it spread to the neighbouring lands as well. The outreach of the proselytizing king’s message can be gauged from the fact that “there are legends about Ashoka in most major Asian languages- Sanskrit and Pali, but also Chinese, Japanese, Burmese, Tibetan, Thai and Sinhala”, according to professor Sunil Khilnani. Besides the 84,000 stupas he reportedly built, messages of humanism and pluralism of his rule expressed as Dhammas or universal truths/laws, were engraved on the rock slabs and stone pillars across the length and breadth of his territory. The “federation” of satrapas that he ruled is considered as the largest central government in Indian history.

According to Sherbaz Ali Bercha, a noted historian on Gilgit-Baltistan, a stone pillar most probably containing Ashoka’s edicts had remained fixed at the center of Gilgit city.  The relic was shifted to Lahore Museum to make room for a commercial market in early 2000s. Assuming that the jurisdiction of Ashoka existed where there were distinctive pillars with edicts, there is no other evidence to point to Ashoka’s rule in GB besides the iconic pillar mentioned. Moreover, classic descriptions found in the writings of the colonial literature are silent about the religion of the region’s earliest inhabitants or autochthons. Yet beyond the particular religious symbolism, Gilgit-Baltistan has a treasure trove of archeological insignia suggesting an era when Buddhism, among other faiths, flourished. There are rock images of Buddha in Gilgit  and Skardu and a footprint of Buddha in Ghizer. Moreover, there are hundreds of epigraphs and engravings elsewhere. The inscriptions found on stone slabs across GB are records of names, journey details, the era of the time, the particular king’s reign etc according to Ahmed Hasan Dani, a late well-known archaeologist.  

 From the corpus of archaeological symbols, it can be assumed that Buddhism spread in GB after the era of Ashoka, probably during the era of king Kanishka of Kushan Empire in the early 1st century. Perhaps the most significant hallmark of GB’s Buddhist past is found in the Kargah area of district Gilgit. It is an image of Buddha sitting in a meditative state or Bodhisatva. This is locally known as “Yachani” or a female demon. According to Japanese scholar Dr Haruko Tsuchiya (as per a GB archaeological department account) “the figure resembles that of Chamba style, the only and other image of this type is found in Mulbe, Ladakh. There is no record of such kind of carvings in the records of Gandhara artefacts”. Kargaah is adjacent to Naupur (local name Nafoor), where a cache of ancient writings termed  Gilgit Manuscripts were discovered in 1931. Written in Sanskrit, Prakarit and Pali on Bhoj or birch tree (bhoja putra), no complete deciphering has so far been made. Most of the papers are preserved at the National archives of India. The available interpretations of these documents bespeak of Buddhist dynasties in the 1st to 6th century AD (most prominent being the Patola Shahi dynasty) and their relationship with the neighbouring world. However, the religious, social, political and cultures moorings of the era and its interface with the ensuing period of various Indian kings and Muslim missionaries remains a mystery.

There is learnt and assumed ignorance about classical history in GB. Most of us cannot describe our family lineage beyond the grandfathers or great-grandfathers. Where it is known in a few cases, the descendants are unsure about the faith, customs or culture of their ancestors. Some ruling families trace the root of their family tree to Shri Badat, a cannibal semi-mythical king, implying a super natural heritage. Three Budhisatvas can be seen on a brownish rock in Manthal area of Skardu. A government information board dates the carvings to the 9th century without referencing any source for this information.

Oral historical tradition in the region often mentions a “Buddhist university” in the Darel area of Diamer district, in all probability referring to a monastery. However, no chronology exists as to when or who built it. Whereas information about other monasteries in India, most prominently about the one located in Nalanda, northeast India is well recorded.  Similarly, popular legend about a cannibal king, Shri Badat, considers him a Buddhist. Though a wide range of accounts exist about the king, his persona has been described in legendary/folklore terms thereby avoiding any historicity to it. By the same token, themes like Buddhism’s inroads into GB, its proliferation, engraving of Bodhisatvas and it’s decline and disappearance are glaring unknowns.

The apathy towards the Buddhist past in particular and the rest of the antiquity in general necessitates an academic quest. In the absence of particular findings, some writers and scholars have attempted to fill the gap by extrapolating and borrowing historical facts from research available on the neighbouring regions of GB e.g. Kashmir, India, Afghanistan and China without subjecting it to local socio-political dynamics.

Having studied in government schools and colleges until the HSSC, we were never taught about the history of the region in the course books such as Maasharti Uloom or social studies or later on Pakistan studies. Nonetheless, there were visceral historical descriptions of how Mohammad Bin Qasim conquered Sindh in the 8th century. The past and present answer to the question “What was the socio-political state of Gilgit Baltistan in the 8th century” would be a negligent “we don’t know”. In the hindsight, to be a student in a region without being given an opportunity to know or inquire about its past was a demoralizing experience. It was as if someone had forsaken his ancestors or was forced to disown them. Thus the appetite for knowledge about the past is killed early as the young minds are taught selective versions of history at schools and colleges duly censoring the non-Muslim part of it. The truncated history focus (or “murdered history” as KK Aziz would say) underplayed the diversity and rich past of the new country let alone that of GB. Thus thousands of children like me, who studied from government educational institutes, were  “forced to imbibe the truths of officialdom, many of its literate citizens have opted for the comforts of ignorance, habits of skepticism, and, most troubling of all, a contagion of belief in conspiracy theories. Instead of critical thinking marked by cautious optimism, which might be expected of a people who have weathered many storms in their country’s short but eventful history”, according to Ayesha Jalal. Before 1947, the GB’s historiography by the colonial writers was essentially presentist in essence, focusing mostly on the strategic issues faced by the British Raj. In some cases, when the past was discussed it was done to highlight the region’s connection to Europe, the birthplace of the writers or it was linked with mythical characters such as the king Shri Badat. The reference was apparently made to normalize colonialism as a phenomenon not unbeknown to the region. For example, a prolific writer Dr GW Leitner  wrote: “Herodotus (484-430/420 BC) is the first author who refers to the country of the Dards (Dardistan), placing it on the frontier of Kashmir and in the vicinity of Afghanistan”.  If the colonial writers tried to portray the region’s past through the eyes of European chroniclers, the post-colonial ones left out the significant portion of it pertaining to non-Muslims e.g. the Indus Valley  Civilsation or Ashoka and later  kings or dynasties. Without knowledge of the past or selectively studying it we may be deluding ourselves about it.

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Rumi, the Moral Psychologist

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Maulana Jalal-ud-Din Mohammad (1207-1273), popularly known as Rumi, was a Muslim theologian-turned-poet. His poetry, published in two genres of masnavi and ghazal is mainly focused on the idea of love and its relation to the intimacy with God. However, the thoughts of Rumi, expressed through thousands of verses and ghazals, go beyond love and touch upon various aspects of human life and the universe. Even a cursory reading of Rumi’s poetry reveals his wide-ranging and thoughtful expressions on nature, universe, world, anger, lust, justice, purity, etc. According to Ahmed Javed, a contemporary literary critic, Rumi is the best author of human experience in the world. In other words, Rumi best describes the meaning of being a human on planet earth. Alan Williams, professor of Iraninan studies and translator of the works of Rumi, has identified the voice of moral reflection or homily as one of the seven voices while defining the narrative structure of Masnavi, a long poem by Rumi published in 06 volumes. Similar vein of advice and observations on moral psychology can be found in over 3,000 ghazals of Divan or Divan-e- Shams, the collection of ghazals by Rumi. Brittanica, an online encyclopedia, defines moral psychology as “the empirical and conceptual study of moral judgement, motivation and development”. This article details the verses of Rumi, from both Masnavi and Divan, which convey the deep observations of the poet regarding moral psychology. The verses are easily discernible for enduring reliability.


Like other poets, Rumi deploys the tropes of allegory, metaphor, simile, folklore, historical events, personalities, Quranic verses, Hadith etc to make his point. I will present a selection of verses from Rumi’s Masnavi and Divan highlighting the moral psychology therein.


این جہان کوہ است و فعل ما ندا
سوئ ما آید نداہا راصدا
(M I:215)
This world is the mountain, and our action the shout: the echo of the shouts comes (back) to us.

Rumi has explained the recompense for deeds and misdeeds by comparing the whole world to a mountain. Just like the mountain returns the schists by echoing it, the good and bad deeds are accordingly rewarded in this world.
Rumi’s places a lot of emphasis on the importance of thoughts in the life of a human being. He considers that a human being is nothing but a thought itself.


ای برادر تو همان اندیشه ای
ما بقی خود استخوان و ریشه ای
گر گ‌ُل است اندیشه ای تو گُلشنی
ور بوُد خاری تو هیمه گُلخنی
Brother! Your worth is in your thoughts alone; you are blood and flesh apart from that
You are rose, if all your thoughts are selfless
If bitter, you are a thorn that is judged worthless
Brother, your worth is in your thoughts alone
M II, 277-278

The formidable effect of a person’s thoughts are highlighted in the above verses. The precursor of every action is a thought. In a sense Rumi is ahead of René Descartes (1596–1650), French philosopher, by three hundred years who affirmed cogito ergo sum ( think therefore I am!). In other words, the ability to think and perceive constituted the most important element of human existence. At many places in both Masnavi and Divan Rumi elucidates how negative thoughts disempower and depress a human being and how he can rise above those thought processes. In the opening verse of Ghazal 2500 of Divan, Rumi diagnosed that the doom and gloom is always characterised by mean thoughts of a man:


چه افسردی در آن گوشه چرا تو هم نمی‌گردی
مگر تو فکر منحوسی که جز بر غم نمی‌گرد
Why are you depressed and cornered instead of moving ahead?
But then you are an epitome of mean thought and you are obsessed over grief

In numerous verses, Rumi emphasises the layered and unfathomable inner world of a human being, making it all the more important to avoid judging someone through appearances alone. An example:


َمرد را صد سال عم و خال او
یک سر ُمویی نہ ِبیند حال اُو
A man’s paternal and maternal uncles (may see him) for a hundred years, and of his (inward) state not see (so much as) the tip of a hair (M:3, 4249)

Rumi underlines the complexity of human psyche in that it is characterised by an inner world which is rarely apparent. In other words, he implies that our judgements based on the outward appearances or behaviour of a person may well be wrong considering that appearances never represent the human being on the whole.

Regarding worldly gains and glory, Rumi maintains that on the one hand they uplift and increase a person’s standing among the people but conversely they become the reason of the downfall too as succinctly expressed in the verse below:


دشمنِ طاؤس آمد پر اُو
ای بسی شہ را بکشتہ فر اُو
The peacock’s plumage is its enemy: O many the king who hath been slain by his magnificence!
(M1:208)

Rumi is of the view that by reciprocating a bad deed, one becomes equal to the perpetrator of the act. He, therefore, exhorts restraint or better still good behaviour in response to treatment.


گر فراق بندہ از بد بندھگی است
چون تو با بد بندگی پس فرق چیست

Have I deserved my fate for some offence; If you hurt sinners what’s the difference?(M:1,1564)

It can be discerned from the above selection that besides numerous themes in his collection of verses (in Masnavi and Divan) Rumi conveys a message of morality in unmatched eloquence and clarity. Perhaps it is beauty and depth and a sense of wonder in these verses that remain relevant to date and keeps guiding anyone who immerses in the ocean of his wisdom.

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Exploring Baltit Fort: A Jewel of Hunza Valley

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Baltit Fort

Nestled in the heart of Pakistan’s breathtaking Hunza Valley, Baltit Fort is a testament to the region’s rich history and cultural heritage. This stunning fort, with its majestic wooden architecture and panoramic views, offers visitors a unique glimpse into the past while providing a gateway to the natural beauty of the surrounding landscape.

A Glimpse into History

Baltit Fort dates back over 700 years, originally built as a defensive structure to protect the local population. It was the residence of the ruling Mirs of Hunza until the mid-20th century. The fort’s design showcases a blend of Tibetan and Central Asian influences, reflecting the diverse cultural tapestry of the region. In 1993, it underwent extensive restoration, making it a significant site for history enthusiasts and casual visitors.

Architectural Marvel

As you approach the fort, you’ll be captivated by its distinctive architecture. The intricate wooden balconies, colorful frescoes, and robust stone walls create a striking visual appeal. The fort is built on a hillside, which adds to its charm and offers stunning views of the surrounding peaks, valleys, and the picturesque Hunza River.

A Journey Through Time

Once inside, you can explore various rooms and halls that were once occupied by the ruling family. The museum within the fort showcases artifacts, traditional clothing, and tools used by the locals, providing a deeper understanding of the region’s heritage. Each room tells a story, making your visit a journey through time.

Breathtaking Views

One of the highlights of visiting Baltit Fort is the breathtaking panoramic views it offers. The fort overlooks the vibrant landscapes of Hunza Valley, with terraced fields, orchards, and the majestic Rakaposhi and Ultar Sar mountains in the background. Be sure to bring your camera; the vistas are simply unforgettable.

Cultural Significance

Baltit Fort is not just a historical site; it is a cultural hub for the community. Throughout the year, various cultural events and festivals are held here, showcasing local music, dance, and art. Engaging with the local people and participating in these events can enrich your experience and provide insight into the traditions of the Hunza Valley.

Tips for Visiting

  • Best Time to Visit: The ideal time to explore Baltit Fort is from April to October, when the weather is pleasant, and the landscape is lush and vibrant.
  • Getting There: The fort is easily accessible from Karimabad, the main town in Hunza. You can either hike up the hill or take a short drive.
  • Guided Tours: Consider hiring a local guide who can provide in-depth knowledge about the fort’s history and significance.

Conclusion

Baltit Fort is more than just an ancient structure; it is a symbol of the enduring spirit of the Hunza Valley. Its historical significance, architectural beauty, and stunning natural surroundings make it a must-visit destination for travelers exploring Pakistan. Whether you’re a history buff, a photography enthusiast, or simply seeking to connect with nature, a visit to Baltit Fort will leave you with lasting memories and a deeper appreciation for this enchanting region. So pack your bags and embark on a journey to this extraordinary fort—you won’t be disappointed!

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Altit Fort Hunza: A Must-Visit Destination in Pakistan

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Altit Fort Hunza is a hidden gem in the heart of the Hunza Valley, Pakistan. This ancient fortress, dating back to the 11th century, offers a captivating blend of history, architecture, and natural beauty.

This is an ancient fort in the Altit town in the Hunza valley in Gilgit BaltistanPakistan. It was originally home to the hereditary rulers of the Hunza state who carried the title of ‘Mir‘, although they moved to the somewhat younger Baltit fort nearby three centuries later. The Fort and in particular the Shikari tower is around 1100 years old, which makes it the oldest monument in the Gilgit–Baltistan. The fort has received the UNESCO Asia Pacific Heritage Award for Cultural Heritage Conservation in 2011.

Why visit Altit Fort Hunza?

  • Historical Significance: As one of the oldest surviving monuments in the Hunza Valley, Altit Fort provides a glimpse into the region’s rich past.
  • Architectural Marvel: The fort’s intricate woodwork, carved balconies, and beautiful murals are a testament to the craftsmanship of its builders.
  • Panoramic Views: Perched on a hilltop, Altit Fort offers breathtaking vistas of the Hunza Valley and surrounding mountains.
  • Cultural Experience: The fort serves as a museum, showcasing artifacts and traditions of the Hunza people.
  • UNESCO World Heritage Site: Its recognition as a UNESCO World Heritage Site highlights its cultural and historical importance.

Tips for Visiting:

Best Time to Visit: Spring (March-May) and autumn (September-November) offer the most pleasant weather for visiting.

How to Get There: You can reach Altit Fort by trekking from Karimabad or hiring a taxi.

Entrance Fee: There is a small entrance fee to enter the fort.

Things to Do: Explore the fort’s chambers, visit the museum, and enjoy the panoramic views.

Don’t Forget: Bring a camera to capture the stunning scenery and architecture.

Here are some additional photos:

Altit Fort

This fort is a must-visit destination for anyone traveling to Pakistan. Its historical significance, architectural beauty, and cultural richness make it a truly unforgettable experience.

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